Neuro Art as an Incorporation of the Conscious and the Unconscious in the Modern Exposition of Art Objects


  • Nataliya Ursu Kamianets-Podilskyi Ivan Ohiienko National University
  • Ivan Hutsul Kamianets-Podilskyi Ivan Ohiienko National University
  • Iryna Paur Kamianets-Podilskyi Ivan Ohiienko National University
  • Ivan Pidhurnyi Kamianets-Podilskyi Ivan Ohiienko National University
  • Timur Takirov Kamianets-Podilskyi Ivan Ohiienko National University



Neuro Art, contemporaries, art exhibition, experience of generations, artistic activity, works of art


The article is devoted to the study of a new look at the expositional activity of objects of contemporary art in the light of the definition of related artistic phenomena that exist between time-torn cultural epochs. The connection between digitalization, the development of innovative technologies and the influence of the subconscious experience passed down from past generations to descendants is considered. Emphasis is placed on the peculiarities of the evolution of modern art exhibitions, historically stated examples of transcendent personal perception of artistic symbols are given, which encourages consideration of the deep nature of human feelings and finding ways to directly influence the subconscious.


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How to Cite

Ursu, N., Hutsul, I., Paur, I., Pidhurnyi, I., & Takirov, T. (2022). Neuro Art as an Incorporation of the Conscious and the Unconscious in the Modern Exposition of Art Objects. BRAIN. Broad Research in Artificial Intelligence and Neuroscience, 13(3), 277-287.

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