Back to Objects? Ontology in a Time of Progress
DOI:
https://doi.org/10.18662/jsmi/2.1/2Keywords:
object, ontology, humans, Anthropocene, realismAbstract
How could the new movements in contemporary philosophy such as speculative realism and object-oriented ontology give insight into the changes the world experienced in the last decades? We argue that a shift of paradigm inside the philosophical approach to the status of objects is symptomatic of those practical, cultural, historical, and technological issues that emerged from the decline of the modern view on subjectivity and the rise of certain realities, such as the Anthropocene, which gradually escape human control. Thus, the invasion of objects forces philosophy to surpass its post-metaphysical indifference to the outside world, that is to bring into focus the status of objects which transcend human knowledge as defined by Kant. This counter-revolution is expected to overcome the limits of human conscience imposed by the Kantian philosophy and consequently to deal with what we call the complex of Noah in transcendental idealism, namely the idea that human conscience is an ark inside which all species are apprehended by the subject, regardless of the status of the outside world. Instead of trying to conceive the subject in the absence of the outside world, contemporary philosophy steps outside the conscience in the need to grasp the objects and rather conceives the possibility of the world in the absence of human conscience. This shift brings us to the argument of ancestrality proposed by Quentin Meillassoux, namely the pre-human reality approached by today’s sciences, and also to Graham Harman’s theory of withdrawal, according to which real objects are never directly accessible. The main issue is whether human scientific knowledge could indeed enable us to grasp the objects themselves, and whether an absolute knowledge beyond finitude is possible without returning to old metaphysics.
References
Codoban, A. (2019). Omul în postumanism. În A. Ciorogar (coord.), Postumanismul (pp. 97-101). București: Tracus Arte.
Harman, G. (2002). Tool-Being: Heidegger and the Metaphysics of Objects. Chicago & La Salle, Illinois: Open Court.
Harman, G. (2009). Prince of Networks: Bruno Latour and the Metaphysics. Melbourne: Re-Press.
Harman, G. (2011). Quentin Meillassoux. Philosophy in the Making. Edinburgh: Edinburgh University Press.
Harman, G. (2015). Anthropocene Ontology. Sonic Acts Festival: The Geologic Imagination. Amsterdam. Retrieved from https://www.youtube.com/watch?v=cR1A4ILPmjE&fbclid=IwAR3Ns0dWV5jlJ70LkP337DTH4mcs9Js52k54ZQXQQkTnMzAZW0m4Okca_E8
Harman, G. (2018). Object-Oriented Ontology: A New Theory of Everything. London: Penguin UK.
Latour, B. (2005). Reassembling the Social: an Introduction to Actor-Network-Theory. Oxford & New York: Oxford University Press.
Meillassoux, Q. (2014). După finitudine: eseu asupra necesității contingenței (trad. Ovidiu Stanciu). Cluj-Napoca: Tact.
Žižek, S. (2012). Less Than Nothing. Hegel and the Shadow of Dialectical Materialism. London & New York: Verso.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Journal for Social Media Inquiry

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work, with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in the journal.
- Authors are permitted and encouraged to post their work online (e.g. in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as an earlier and greater citation of published work (See The Effect of Open Access).
The Journal has an Attribution-NonCommercial-NoDerivs
CC BY-NC-ND