Echoes of The Pandemic in Postmodern Aesthetic Communication
DOI:
https://doi.org/10.18662/po/12.4/379Keywords:
postmodern, aesthetics, humour, therapy, pandemic restrictionsAbstract
The paper analyses how some types of postmodern art have been used as a means of copying by the aid of humour with the unpleasant restrictions and changes of the way of life during the emergency and alert states in Romania. Artă Reinterpretată is a Facebook page that offers posts on various aspects of life during the pandemics quarantine and lockdown, including isolation or exploiting love, couple and family difficulties; during the relaxation measurement and, finally, during rights restriction for those whom do not have The Green Covid Card. It does so by reinterpreting classical paintings, by adding to them a text or an image or both and thus creating a humourist situation meant to ease upon the hardships of a situation we cannot change.
References
Arta Reinterpretată. (2021a) (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/
Artă Reinterpretată. (2020a). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.478510939340323/781712359020178/?type=3&source=54
Arta Reinterpretata. (2018). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.478510939340323/478510946006989/?type=3
Arta Reinterpretata. (2020b). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/790471861477561/?type=3&source=54
Arta Reinterpretata. (2020c). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/782955965562484/?type=3&source=54
Artă Reinterpretată. (2020d). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/784293888762025/?type=3&source=54
Artă Reinterpretată. (2020e). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/792500977941316/?type=3&source=54
Artă Reinterpretată. (2020f). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/818751671982913/?type=3&source=54
Artă Reinterpretată. (2020g). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/788296255028455/?type=3&source=54
Artă Reinterpretată. (2020h). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/794893104368770/?type=3&source=54
Artă Reinterpretată. (2020i). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/785939175264163/?type=3&source=54
Artă Reinterpretată. (2020j). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/816661735525240/?type=3&source=54
Artă Reinterpretată. (2020k). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.797251710799576/926252994566113/?type=3&source=54
Artă Reinterpretată. (2020l). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.542315536293196/797254100799337/?type=3&source=54
Artă Reinterpretată. (2020m). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/828615844329829/?type=3&source=54
Artă Reinterpretată. (2020n). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/838588206665926/?type=3&source=54
Artă Reinterpretată. (2020o). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/842326559625424/?type=3&source=54
Artă Reinterpretată. (2021b). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.797251710799576/1109503369574407/?type=3&source=54&ref=page_internal
Artă Reinterpretată. (2020p). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/861126554412091/?type=3&source=54
Artă Reinterpretată. (2020q). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.530642554127161/851030258755054/?type=3&source=54
Artă Reinterpretată. (2020r). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.797251710799576/951873075337438/?type=3&source=54
Artă Reinterpretată. (2020s). (n.d.). Home [Facebook page]. Facebook. Retrieved from https://m.facebook.com/arta.reinterpretata/photos/a.797251710799576/1185421918649218/?type=3&source=54&ref=page_internal
Bejan, P. (2014). Estetica în cotidian. Itinerariu frivol. Axis.
Marinas, M. (2021). Beneficiile râsului. Damaideparte. https://damaideparte.ro/idei-de-relaxare/rasul-beneficii/
Wittgenstein, L. (1980). Culture and Value. University of Chicago Press
Wittgenstein, L. (1980). Culture and Value. University of Chicago Press
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 The Authors & LUMEN Publishing House

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant this journal right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work, with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g. in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as an earlier and greater citation of published work (See The Effect of Open Access).
Postmodern Openings Journal has an Attribution-NonCommercial-NoDerivs
CC BY-NC-ND